WideEyedMan wrote...
It was meh. Definitely had good moments like Yukine's revelation, but frankly there was little for Yukine after he had his revelation so he became scenery. I felt like grabbing my hurking bag when I realized that the finale was going to be all about forced romance, rather than anything important teased about Yato's past. The world's lore, especially how interactions between gods and their weapons play out became more interesting as the series progressed. I'll be sad to see it go but frankly I was half-expecting this with it's lack of direction.
In what way did Yukine play a "scenery" role? He was plenty active, attempting to bridge Yato and Hiyori during her memory lost, whose emotional disposition further added to Yato's. Before that, taking up the role of bettering himself through interactions with Hiyori and other cast members. But I may be looking through bias eyes, so I'll ask, what more should he do, taking in account his age (maturity and sense of independence) that would also have to fit within the budget (episode limitation) of the series. Yukine's past wouldn't be an option as it would require a bit of time to actually explore.
What forced romance? There are romantic feelings on Hiyori's part, but it's comparable to infatuation, a crush, nothing that, alone, is ever acted on. As for Yato, how he feels towards her hasn't been confirmed as anymore than a bond of trust and friendship. It also doesn't take into account the emotional range of a god, let alone, for a human, within the world of this series.
A desire to not let go of a friend, I see in Yato, something that "can" develop into romantic feelings, but I didn't see any "forced romance" or any romance at all pulling the story along.
The final arch was an event brought about by his past. They didn't drag all his past out, but I prefer this well composed end to a crammed out end trying to encompass all of Yato's relevant history. His association with each god, his "revelation" (turning point) as a god of calamity, his relationship to Nora (and her past), his ascension to godhood, his death, his human life.
Honestly, I think they did an amazing job pacing this, considering it was adapted from a manga, theirs no wasted scenes, and the material they pull out of the world was just enough to get us to understand what was going on without rattling on. I fail to see any lack of direction, you'll have to explain that to me, again, I may be having a hard, HARD, time seeing it due to bias.