I wished there were more girls, not to say that you guys aren't great..
You're a lively bunch and all
I didn't properly thank you, suba.
Did I? Have I?
I'm just slightly taller than star_katz. So we're bosom buddies in the height department. Yes, I'm vertically challenged and makes faces as well as picks fights with supermarket shelves for being to high. *lol*
lol how tall are you as im not exactly 6 foot myself?
Almost 5 foot. It sucks not to be able to reach up for stuff on high shelves at deparment stores and there's no one to help you. Kinda look moronic trying to jump and swipe things off the shelf XD
ok sk so does that mean that you two have large breasts or nice asses or both?
No, sweetie. Bosom can refer to either being very close friends or just refer to boobs. Suba was taking a dig at the boob thingy. You've seen my pics didn't you, unless I get surgically enhanced, my boobs will remain just so. ^^
ok sk so does that mean that you two have large breasts or nice asses or both?
No, sweetie. Bosom can refer to either being very close friends or just refer to boobs. Suba was taking a dig at the boob thingy. You've seen my pics didn't you, unless I get surgically enhanced, my boobs will remain just so. ^^
I think he'll ask now what's take a dig on something.*hugs*
Hideki Satomi (Mikami), his wife Ayaka (Sakai) and their young daughter Nana (Inoue) are driving blissfully through the countryside when the workaholic Satomi stops at a roadside phone booth to send an e-mail from his laptop. In the booth he discovers a smudged scrap of newsprint with Nana's picture on it -- and an article describing her death in a traffic accident.
or this one?
Three years later, Satomi has not recovered from his failure to prevent the accident, while his marriage has also ended. Meanwhile, Ayaka has joined forces with a psychological researcher (Ono) to unravel the mysteries of prophecy. They interview a psychic who has the ability to take Polaroids of the future with her mind - but becomes suspicious of the researchers' motives. Then another new "newspaper" arrives at Satomi's flat - saying that one of his students (Maki Horikita), a girl with piercing eyes and an uncanny presence, will die. Can he save her and himself?
Within a week of watching a mysterious videotape, a group of teenagers are dead. The bodies are found gruesomely contorted, their eyes frozen as if they had seen something more terrifying than any physical threat.The video then becomes an urban myth. Insidiously, an unseen force is pointing its deadly finger at those poor souls unable to resist their curiosity. One of those people is cynical journalist Reiko, who soon finds herself unwillingly drawn into a spiralling nightmare of fear from an unseen, omnipresent threat.