IvIajoi2n wrote...
These doodles are lively and have some good personality in the subject matters. But i somewhat agree with the thick line comment. Line art is fine, but thick lines usually represent a lack of confidence in your strokes. When an artist is uncertain of an action, whether subconscious or consciously, it shows in the product. To counter a shakey unconfident stroke usually we naturally press down harder on the drawing tool. I get something similar if i take a break for to long and my coordination goes down.
Also the reason Manga looks the way it looks is because of time constraints. There's usually a deadline for most Manga. So it's more effective to just lay down lines and then put down tone. The lines are left intact because in order to phase out the lines the Artist would have to add more tone and value to the art. A black line does two things, it represents the end of the surface area. If a character or object is completely surrounded by a black line, it'll appear flat. If you look at most Art books released by Mangaka, they chose to do full renders as opposed to the usual ink toning they do for manga.
This doesn't mean a black line doesn't have a place in art, but it shouldn't completely encase the subject. Darken lines in the places you want to create contrast in, this will naturally draw attention to that area. A good place to put them is usually around the face, that's where you want people to look. Thick black lines are usually to jarring for the eyes. I usually hold my pencil around the midsection of the pencil itself. The closer you get to the nib the easier it'll be for you to push down harder.
NOTE:
I'm mostly referring to finished pieces. If you're just brainstorming, doodling to loosen up, doing gestures or doing studies then it's all good.
Thanks for the comment and example ...
I'm currently trying to imitate a style ( Ken Akamatsu for Love Hina / Negima ) ....
I have a hard time adjusting from thick to thin lines and specially the cross hatching >.< shadow ..... that example you posted seem very cutesy ( I have a hard time drawing them ) and the artist used very thin lines, mostly visible with color ( noob colorist T.T )
Whenever i try to use thin lines it makes me frown and think its ugly and incomplete ( I dunno why ) .... maybe I need to adjust my mentality first lol ..... Also, I just started reading a how to draw book ( forgot the title but its not a Manga tutorial but a western one about anatomy and muscles ) the proportion for REAL human anatomy is very different for manga style but I try to apply where the muscles are most of the time ....
So for now I just doodle away to imitate the Artist i like and at the same time learn anatomy ( well I guess I can slowly practice on lineart and adjust my line widths along the way )