I really like the title – Those who Linger – it carries many implications with it and a sense of mystery. It may not fit perfectly, but it fits pretty well. It’s a nice story though the ending could have been more developed. The pacing of the beginning is much slower than of the middle and the end. Aztec mythology is a very interesting topic and has many great ideas ripe for the taking. This one was quite refreshing – though some more blood sacrifices would have been nice, especially for them using their powers. I almost expected it when Arnold’s heart was ripped out.
The beginning is quite confusing. We have a middle aged man, a passenger, a man, a young man and a boy. It took me a while to figure out that the passenger is also the young man and the boy, while the middle aged man and the man is Arnold – the one rowing the boat.
You also seem to be fond of the semicolon, though it is used improperly. You are counting the things the boy is wearing, use commas and not semicolons.
Nejik wrote...
The young man wore a long sleeved plain black sweater and black cargo pants that stopped at the top of his shoes strings; on the boy’s wrist was a small red watch; the boy’s skin was pale and he had a small chin with a bit of stubble on it; the man decided to finally break the silence between the two.
FGRaptor wrote...
The young man wore a long sleeved plain black sweater, black cargo pants that stopped at the top of his shoes strings and a small red wristwatch. His skin was pale and he had a small chin with a bit of stubble on it. The man decided to finally break the silence between them.
You could have a semicolon after wristwatch – but it would make the sentence overly long and the sentence about the boy’s visual features can stand on its own just fine. The issue here are run-on sentences which I go into detail about later.
Also, be more concise. Call it a wristwatch, not a watch on his wrist. Make your writing as clear as possible, use the word that best describes what you want to say. Being detailed and concise makes your writing much clearer.
†˜after a few minutes’ – did he really just wait for several minutes – more than one, which is more than 60 seconds – for a response? What was he doing all this time and why do so many minutes and the initial response (lifting his head) happen in the same one line? Imagine yourself in a conversation after asking a question and then waiting more than 60 seconds for a response.
Livided remarked it already, but it made me chuckle as well. It is really awkward.
There is a lot of repetition here. I suggest you read your work out aloud as this will easily highlight awkward sentences and repetitive words – you will most likely stumble over them. A word frequency counter can also help. Some examples just from the first paragraph are boat (2 times in the same sentence, then again in the next), row, the boy, small (small watch, small chin, small smile – you even have the same small smile again later from Nana).
Sentence structure and run-on sentences are a big issue here. It seems to get worse as the story goes on. You need to break up your sentences; use commas or split the sentences into two or more separate ones. This problem persists both through the descriptive paragraphs as well as in dialogue. Some sentences just seem to drag on endlessly and the whole thing becomes convoluted, making it more difficult to read. Some examples:
“Palm trees were in front of him facing each other adjacently making a path into a large dense forest that rested at the center of the island.”
“The weather was fair the breeze that passed by him was warm and tickled his skin it was very pleasant.”
†˜“Mark your actions have brought pain and death to mortals why did you do all of this?”’
Try and read this aloud without a pause anywhere – because right now there isn’t one.
Anyway, excuse the grammar rambling.
Story-wise there is not too much to complain about. The characters could have more distinct voices to distinguish them easier and they could be more developed overall. You have the mythology to draw from of course, but combining it with some modern character traits (as you have already done) will help make them feel more alive.
I would also like to have more detail about their powers and how they work. What do they do to channel them? Describe it to the reader. Where do the powers come from? Are they just thinking up what they want to happen? Are there no chants or, as I said in the beginning, Aztec blood rituals? Blood magic? There is a lot you can do with this, so you should go a bit crazy.
Final Thoughts:
I really like this and found the idea refreshing. I got that they are day and night or sun and moon, but would not have gotten the Aztec inspiration without you saying it. Although due to issues with sentence structure and punctuation the story is a bit clunky and thus awkward to read. Studying some sentence structure can help a lot – it’s an issue I have seen a lot now – and the rest comes through practice. Also try to be more concise and add more detail. I don’t know your plans, but I would be interested to read more about this.