xninebreaker wrote...
I see you are drawing from the same inspiration that you used for Anamnesis. Despite my commentary on your work before, it did leave me with a very strong impression. However, much like your previous work, I think your entry this time suffers from similar problems.
I think you could make this work far more powerful if you developed the characters you introduce. The cousins, the older relatives, and even the grandfather could use development. Rather than say the cousins want to party, you could go into detail about how they fidgeted during the ceremony, how they 'subtly' looked at their phones, and how they huddled up in a corner to themselves trying to stay far from the front of the ritual. By further developing characters, you can make your events that much more meaningful.
All that said, I think that you employed some great techniques here. The repetition of the opening and closing of the eyes was magnificent. Not only did I find it a very refreshing take on scene transitions, but I find it very powerful as well. The closing of the eyes can take on several meanings such as a desire to escape reality or a way to express sorrow or respect. The same goes for the opening of the eyes, which can express the protagonist's desire to look to a new reality, or to remember an event. Even if you don't mean any of this, the fact that I can come up with it makes it all the more interesting.
Last bit I would like to touch up on is the title. Filial piety is defined as a virtue in which one has respect for elders. While that is easy enough to understand, I can only wonder if 'filial piety', as in your title, is written that way for a reason. It seems like a very blatant mistake to not capitalize it. However, I have a theory. Assuming that you left it like that for a reason, the significance behind not capitalizing it is meant to accentuate the point that you are trying to make. Filial piety is all but a dead virtue. The protagonist serves as an observer of the masses and what he sees are people his age, his cousins, and even his older relatives dismissing what was meant to be a sacred ceremony for an elder that deserved respect. Sounds like the protagonist needs to lay some smackdown!
y00han wrote...
if i have to explain my work then maybe i havent done a good enough job in writing it
I once thought this way, and I still do to a certain extent. There is always a way to improve your writing whether that be widening your vocabulary or learning to be clearer and more concise. However, I find that there is beauty and power behind symbols and writing technique. Keep that in mind. Just because you had to explain something doesn't mean that it was bad. The reader-writer relationship as it pertains to understanding symbols, techniques, and context is a dynamic, and how you wish to balance that is up to you.
thanks I really appreciate your input. You're absolutely right-- with both Anamnesis and filial piety, I just made a story for the deadline, and honestly I need to start taking writing more seriously to get better.
I'm really grateful that you saw what I did with the techniques in filial piety, more grateful than you'll know.
For your theory you're right-- I thought the morality theme of the story was obvious, and i guess i have to work harder to show it. As I read your comments I find it now true to develop the characters--before I left them blank because they werent the central focus.
The morality of this story shows itself as a more real version of its cliche-- that despite the voice's cynicism towards filial piety, he can't help but to show it; initially he mocks it and doesn't agree with the idea at all, but at the end of the day,
he loved his grandfather. I tried to show the reader that it is the end that shows the readers the narrator's decision- it isn't said but implied [i guess i failed here] that he realizes that at end of the day, this ceremony is the only thing he can do for his grandfather. To put it more simply, it's a ceremony he doesn't believe in, but does it anyway because he really loved his grandfather. Which goes back full circle to the cliche of these ceremonies, as they're usually held to respect the dead.