This entry definitely sticks out of the rest, all other entries appear to be †šproper†˜ prose. The idea is good, the use of language seems largely proficient, and I can see the humour although it’s not for me – I did however chuckle at some parts.
There are a few odd sentences and at least one typing error (“Dictionary definitions can be somehow be sexually arousing.”), as well as inconsistencies in punctuation (at first you use numbering with a number followed by full stop (“1. The late […]”) then you switch to just numbers (“1 A temperature […]”) then you switch to numbers and letters, but leave out the numbers afterwards (“3a having […]”), but your use of different font sizes, strengths and colours makes your work fresh and lively.
You also got tangled up with what a dictionary entry is. The entry is about †˜cold’ and its meanings, each meaning is a line or part of the entry. After your analysis of the first line you say that your eyes go to the next line of the entry, but after part 2 you say you go to the next entry or entries – that would mean you are now looking up another word – etc. This goes back to being consistent in your choice of words.
I was however slightly disappointed. I was expecting something more akin to an essay, paired with witty arguments that would result in absurd – but believable – conclusions. Instead we have something more akin to a structured writing of someone’s thought process. This is not a bad thing, but for better or worse my expectations were not met from the title and the beginning in which you promised to analyse the word.
You seem to not conform to the reader’s expectations throughout the piece; you open up trains of thoughts without going into more detail (President Cleveland? I might be missing something obvious here, your rage about the use of relatively ends in only a few sentences, etc.) and you tackle each line of the dictionary entry in different ways, making it difficult to predict what will come next (which is not always a bad thing).
The biggest issue I had with this piece was the lack of confidence, as mibuchiha said: you sound whiny. This may be part of the style of your humour as you seem to play with the idea of being a whiny, unconfident person, but it is problematic in writing. If the reader knows that the narrator is not confident, then the reader cannot believe in him or in what he says; If the narrator isn’t sure or confident in what he does, then why should I care?
Since opinions differ this can work for some people, but not for others, and it may be partly why you receive mixed reviews. For most people the narrator needs to be confident and reliable to make for an enjoyable read. This is not say it cannot work, as people do like your pieces, and the unreliable narrator can be used to great effect – it always comes down to how you use it and how the reader perceives it.
Final Thoughts:
I like your entry for its original take, but because of its nature the divide in opinions is obvious. Prose writing is among the most popular forms of writing for a reason: it’s enjoyable and understandable for a large amount of people, but the more essay-style of creative writing that you approach here is not for everyone.
I want to again applaud your use of language and font tools – they are rarely used in prose writing as a certain form is expected of them, but they can have great effect when used right. The writing is very solid, apart from some hiccups and maybe an overfondness of commas. The thing I would most like to see is more consistency and more confidence, though the latter may not be possible if that is the style you are going for.
(End of feedback, now some responses to others)
leonard267 wrote...
'...so to speak. .... so to speak'
These are repetitions that can pretty much be found in the contest entries that I have submitted.
I find this to be a nice touch.
high_time wrote...
http://vocaroo.com/i/s1V94ijuG2AI
a silly reading of the ending part for your comic relief
This was actually a nice reading, made me laugh. ^^