Well, one of the main issues both Felix and Evelyn are dealing with is pressure to fit their roles. Evelyn is trying her hardest to do it and Felix is trying his hardest to not do it. Though "immaturity" isn't the word I would have used to describe them, I guess it does fit.
I dislike the inconsistency in him. That he did it means that was a decent distraction, to him at that time at least. But the moment someone disapproved him, he said something contrary to that fact. As if it was himself that he needed to convince. While that is a normal behavior, I still don't find it likable. Especially in someone of high standing like him.
Ah. What supposed to be going on is Felix did find it to be a good distraction and is angry that his father has made him stop, so that's his retort in his mind to make himself feel better. Wow, when I describe it like that, it really does just make him sound immature. Basically, it's sarcasm. I guess I didn't do too good of a job in that scene.
It is frustrating, not in how it was too queer to sort out, but in how I couldn't see why you chose to tell the events in that particular order. Since some of them lead directly to the other, and they are not far in temporal distance, I find it hard to imagine a good reason to jumble them up.
The main reason I put the scenes in that order is because that's just the order I wanted to reveal that information in. The way I see it, the chronology of the scenes isn't what's important in that chapter.
It starts out with a scene that ends on a big question: What do the Merry Men want with Vin? Then we get to know a bit about the Merry Men, who they are exactly and I introduce Felix, all of which are pieces of the answer that's revealed at the end: Felix is the leader and he's trying to help Evelyn by finding the killer.