Each step the man took, the pendant he wore swung and arced in the air. In this desolate, barren chamber of greyed steel and concrete, his blue uniform uniform appeared to be the most prominent. The man stops in front of a group of people, and he turns to them, with all eyes laid upon him.
"Good morning, ladies... and gentlemen."
As the man spoke, the air in the room seemed to suddenly feel heavy and cold. The tone of the man's voice surprisingly held neither humor nor contempt as he had just ridiculed those that stood before him, on this unhallowed ground. They were herded uniformly into five rows; they each had eight persons. The group was multifarious in their characteristics, and their appearance varied greatly. There were various ethnicities, ages, sizes, bodies, clothings, postures, expressions, so on and so forth... yet even with this diversity, they all, at the very least, had one thing common with one another: Each of them were standing, and completely unable to advert their gaze from the man wearing the blue uniform with his black cross pendant that stood before them. Some could not from fear, others from awe. The feeling they had was inexplicable, yet they vaguely understood it. They could not help but feel that there was a sort of dread that emanted from the man, under his refined, cool appearance. Many of such thoughts flashed through the minds of some of those standing, but as if to cut them off, the man continues to speak.
"First, allow me to introduce myself." He continued to speak in an ironically respectful manner.
"My name is Varg Vildjharta. It is... a pleasure to be acquainted with you all." As he said this, a few threw him looks and expressions of anger. They did so, for they noticed his blatantly demeaning demeanor. His seemingly polite speech ridiculed them with every word...
...for they were all prisoners to this man, forced into submission by his will.
A single, young teenage girl in the crowd bit her lip furiously, causing blood to trickle out from her mouth. Her name was Veronica. She was about seventeen years old, was a somewhat of a foreigner, and was obviously a girl of the upper-class, coming from a rich family. She had long, beautiful blonde hair, tied into twin tails. Her attire was sumptuous, having a long, elegant European-styled red dress. She also noticed the deriding intent behind the man's words, and became agitated at the man's rudeness. The man continues, with a smile:
"I welcome you to Area Four-Five, the "Death Box" complex.
I built this place. This is your prison.
And I...am your warden."
Veronica clenches her fists. She could not help but hate everything about this man. His appearance, his face, his attitude, his personality.
"For those of you that are wondering, there are only two reasons why you are here. However, I have forgotten one of them." The man appears to show amusement on his face. The others in the room only hardened their expressions.
"The first... is a very, very simple reason. You are here, because someone wants you to be here. It may be a judge, some legal official, some politician, perhaps even your family or friends... or even I, specfically, wanted you here. And no matter who that somebody is, that somebody wants you here for a reason..."
Veronica knows. There is but truth in the man's words. For a young, spoiled teenager, she was relatively calm, collected, and composed. She understood. There was a reason why she was here. There was no reason why she wasn't. For she, along with her family, was heavily involved in illegal affairs. She committed many crimes. She has even murdered several people. The ones that wanted her here... it was not the judge. It was her own parents. Her parents used her as a scapegoat when they at the brink of disclosure. So now, here she is, in the captivity of this man.
"As for the second... I will be honest with you all. I do not remember it, but I promise you—if I remember, I will tell you...if you continue to stay alive."
His last few words cut into Veronica's heart, as well as the others. The panging fear that struck her very core screamed out at her: Escape. Escape now. Veronica desperately scans her surroundings for information.
Immediately, she notices several oddities. First, she notices that, not just herself, but many individuals in this group had their own unique attire. She, herself, was in her magnificent clothing. A man was in a formal business outfit, and another in rags and shambles. Few in casual clothing. Another even had a similar military uniform as the man who called himself "Varg". Among them, were few in the traditional prison clothing. It was as if they were just picked up off the street one day, and brought here as they were. That meant that whatever they were carrying would be transported with them—that included weapons. For the personnel to neglect this obvious security flaw was astounding to her. That brought her to the next thing she noticed: In the room where these fourty prisoners stand, there was not a single guard other than the blue uniformed man in the room. They had been transported here by APCs, and were monitored by highly-armed soldiers—until this man, Varg Vildjharta, had entered the room. The security guards had already left the room by this man had stepped in front of them. So now, there was exactly fourty-one persons in the room, and but a single man was the only thing that held their freedom. Observing Varg, he appeared to carry two weapons: a Japanese sword in a sheath at the left of his waist, and an absurdly large, cumbersome-looking pistol with an oversized nozzle at the right of his waist. The pistol had a metal chain link that connected to a bracelet that the man wore on his left hand. The chain allowed for his arms to move at their maximum span, but he could easily retreive his weapon if it was ever knocked out of his possession, assuming he had the skill to do so. She considers all these observations, and is apprehensive. Normally, this would be an opportune moment for escape. Yet, she, like many others in the room, could not shake off the feeling of absolute dread they had.
Veronica was not the only person to notice the circumstances. Veronica stood in the fourth row, and could see a person in the front row: a man in tattered clothing with one his hands in the back pocket of his denim jeans. He appeared to be a common thug, at first glance.
But Veronica knew, everyone was here for a special reason. The man was most likely far from ordinary. Veronica could see that in the man's hand, as he reached into his pocket, was a spring knife, or perhaps a switchblade, in its closed position. In the second row, a woman in a black gown notices the man in the first row, and promptly reaches into her clothing. At the corner of Veronica's eye, she faintly sees a man with a large build covered in a trenchcoat stand in a slightly hunched position, with his arms and hands hidden in his coat. It seemed as if he was grasping something. Several others had done similar things, as well as adjusting their posture, ever so slightly.
They were all planning to strike. Yes, now, with only this single man against a group of fourty, now was their one and only chance at freedom—
"...As you may have noticed, there is nothing normal about this prison." As if to intentionally cut into her thoughts, the man named Varg speaks sharply. "The complex is not normal. The security here is not normal. The occupants are not normal.
However, rest assured, I am a completely normal human being." The man grins as he says this.
"Allow me to explain what I mean. First, this complex was built by me. It is not a usual thing for a prison to be privately built, owned, and then commissioned into use by the government. You may have noticed, but the complex is underground. The material that this complex is made of is not your usual reinforced concrete. It is a tad different... but I will not say what it is. You will find out soon enough, for yourselves. Your cell groups will be placed in a design that is centralized around my office. My office is the last thing that stands between the gates. For those of you that do not know what it looks like, it is in a chamber with many panels of plexiglass. If you need me, I shall be there if you require... assistance. Now, moving on... the security is obviously much more... deadly, I should say. Some of you may have noticed that the security, however, is a tad... lax, by normal standards."
Veronica as well as several others in the room, freeze and involuntarily tense up. It was inexplicit communication. The man named Varg was essentially telling them that he knew exactly what they were thinking. Varg was not lying, for there were many unguarded corridors, and relatively few guards assigned to each post. However, each of them were indeed armed to the teeth in weaponry and armor.
"The defensive and protective system of the complex have many holes in them. There are many opportunities to attempt to break out and flee." The man seems to joyfully snicker.
Then, it became clear to Veronica, the man's unorthodoxy. She now knew the reason for why they still had their clothes and possessions, the lax security, as well as his description of the prison. He was challenging them to try and escape. Veronica clenches her teeth. It was not for no reason that she despised this man. This was a truly wicked and cruel man, perhaps more deserving of his own prison than any other human being in this chamber.
"And finally... like I had stated, this is not a normal prison. This is a prison for special people. There is something about each and every one of you that you are or have done that has earned you incarcaration here. But fear not, for no prison sentence lasts forever. Even you all, the worst violators, the worst murderers, and the worst offenders may see freedom."
As the man said those words, as if a cue, all the malicious intent in the air became directed at him. Veronica herself, who, under her dress, was carrying two furnished revolvers in holsters at her thighs, became poised to draw them.
"Now, I believe that is all I had to announce. If you'll excuse me, I will be leaving the prison early today. I have an appointment of sorts to take care of. Your escorts will be here shortly, and they will direct you to your cells in my absence. I hope you all enjoy your stay here, at Area Four-Five. I bid you gentlemen good day."
The guards would be arriving soon. With every step that their escort approached closer, any chance of escape dwindled. Varg bows, then turns to the exit at the right side of the room. Those who were holding their weapons grasped them tighter, others prepared to charge, others merely stood still. Veronica, herself, reaches for her guns. It was as if every thought in the room was syncronized, coordinating their attacks with the utmost precision without a single utterance or movement. The ones in front would attack first, the rest will follow up. It was simple. Varg takes a step toward the door, stretching his arms. The man in the front row gradually pulls out his knife, and a few others reach for whatever they may have in their clothing. Veronica decides to follow up as the people in the front begin to—
A sound rings in the air. The sound of an explosion, and the sound of liquid splattering follows quickly after. The man in ragged clothing with the switchblade lays awkwardly on the ground, a large portion his head ruptured open. There, stands Varg, having drawn his pistol with his left hand, aimed at where the man's head had been before falling. What followed after was simply appallment and confusion. This was... completely unexpected. There was no other way to describe it. The man did not even get to finish drawing his weapon. The air became stagnant; nobody took a single breath, nobody moved a muscle, for the event was so unexpected that some did not yet realize the man had just died.
Varg looks at the woman with the black gown, and aligns his left arm with her torso in a single, fluid motion. Varg aims slightly downward, and fires. The woman's right leg sunders from the top of her thigh. The impact causes her to begin falling forward to her right, but Varg readjusts his aim, and fires again, twice, blowing off her right arm up to the shoulder, and then rupturing her right torso. The impacts cause her to be knocked around in an almost comedic fashion, the second shot knocking her trajectory to the left, and the third shot knocking her a few feet back before falling.
"What... what is this?" Veronica utters, with a look of sheer terror on her face.
As if reminding him that he was intending on attacking, Varg shifts his gaze to the man in the large trenchcoat, and the man's expression changed from shock to surprise. The man in the trenchcoat seems to panic, and he draws two broadswords from his trenchcoat. He dashes at Varg, with about fifteen or twenty feet of distance between them. The group scatters from their formation, making way for the man's charge. Varg drops the pistol he was holding in his left hand, and it becomes suspended by the chain linking it to Varg's bracelet on his left hand. The man's speed was impeccable, closing the distance between them in only several steps. The man swings his right sword vertically, aiming for the now-vulnerable left arm. There was nothing fancy or flashy about the man's swing. It was but a simple, quick stroke of raw power. Varg grabs the end of the pistol and stretches out the chain horizontally, managing to block it. With his right hand, Varg grabs hold of the pistol and wraps the chain it around the sword, binding it. Varg, aims the pistol over the sword at the man's torso. Varg pulls the trigger, but the man strikes at the pistol with his left hand, causing Varg to let go of his weapon pistol. The bind on the man's other sword weakens as a result, and he manages to pull his sword away. Not letting the opportunity pass, the man swings both his swords at the defenseless Varg, like a pair of scissors, aimed at each of his torsos. At that moment, the man realizes his miscalculation and his underestimation of his adversary. He had neglected the sword that rested at Varg's side. Varg takes a single step back as the man swings, and Varg, with his right hand, unsheaths his sword, pulling it straight up, catching both of the man's blades with it. Varg gracefully swings the chain linked the pistol to bring it back to his left hand, aims it at the man, and fires. The impact ruptures the man's abdomen, leaving a gaping wound, with blood spilling forth from it.
The man is forced to take a few steps back, and uses his swords to keep him standing. The man looks up—
and is impaled by through the neck by Varg's sword. It was a simple, gentle motion.
Varg retracts his sword, and the man's body collapses to the ground.
And for a few moments, not a single thing in the room moves. Veronica, awestruck, could not bring herself to bear her arms. She looks at the corpse of the man, and the damage inflicted onto him.
"Those are... explosive rounds..." Her voice sounded weak, but seemed to echo throughout the room. Suddenly, she feels a sharp chill down her spine. She hesitates for a moment, petrified in fear, but at the corner of her eye, she sees that Varg has directed his gaze at her. She could not bear to return it. Varg smiles, and proceeds out the door.
"It is illegal for civilians to possess weapons here, in Japan." Varg snickers cruelly.
Veronica could only stare at Varg as he walked out, and as he leaves, she clenches her fists in frustration. That man... he did not have a single trace of blood on his uniform, after all that. As Varg steps out the room, the door on the opposite side of the room opens, and four guards come forth from it. They herd the group out the door they came from, and Veronica could only let herself lose any chance of freedom she had...
Varg informs an officer in charge of the prison. Varg leaves the prison, resurfacing, and approaches a parked car on the side of the surface buildings of the prison. He unlocks it, takes his sword, sheath and all, as well as his pistol and chain, and places them in the trunk of his car. After doing so, he enters and starts the car, driving home. He arrives home, opens the front door, and enters. He was not sure if she was awake by now, but decides to say it anyway...
"I'm home, dear."